Eine Fußnote zur Tagung im April:
This article is based on an oral
performance, in which the (un)concept of the uncanny is applied and elucidated
to a tragedy of Euripides (431 B.C.) and to a film of David Lynch (1996). Simultaneously,
a self-compiled score of Lost Highway influenced interrupting,
supporting, traversing the performance. Starting from the ideas offered
by Sigmund Freud in his text ‚Das Unheimliche‘ (1919), the author
turns to the related notions of ‚objet petit a‘ and the ‚Real‘,
as elaborated by Jacques Lacan and Slavoj Zizek, in order to consider the way
in which David Lynch handles a specific sound score and a disturbing
subjective and objective camera viewpoint. This is compared and contrasted
to the way in which a Greek tragedy can be staged and looked at.
[mehr: Image and Narrative]
